The Martyr
2017
Oil, alkyd and varnish on five panels
approx. 250x500cm
Historically paintings contained many specificities. Not only were the pigments and other materials used more frequently from local sources, but the paintings themselves were physically bound in place, done directly on walls. Regional specifity and site specificity. I’ve been thinking about this for a long time: painting having a place and purpose.
2017
Oil, alkyd and varnish on five panels
approx. 250x500cm
Historically paintings contained many specificities. Not only were the pigments and other materials used more frequently from local sources, but the paintings themselves were physically bound in place, done directly on walls. Regional specifity and site specificity. I’ve been thinking about this for a long time: painting having a place and purpose.